[Rose-movies] Rose Theatre Newsletter for Tuesday, Feb. 21

The Rose Theatre rocky at rosetheatre.com
Tue Feb 21 18:44:38 PST 2006


This week's newsletter includes:
    * THE NEW WORLD starts Friday, February 24
    * BREAKFAST ON PLUTO starts Saturday, February 25 - 3 Shows Only
    * MRS. HENDERSON PRESENTS held over
    * PRIDE & PREJUDICE ends Thursday, February 23
    * CAPOTE ends Thursday, February 23
    * PTFF Hosts 2nd Annual Oscar Party Sunday, March 5th
    * School of Athens Lecture Series Continues March 12th with Sharon Dembro
    * Admission Prices
    * Gift Suggestions
    * Coming Attractions
    * Rose Theatre Movie Challenge
Show Times: Tuesday, February 21 - Thursday, March 2

THE NEW WORLD - showing in the Rose Theatre
Feb.24-March 2  4:00, 7:00

BREAKFAST ON PLUTO - showing in the Rose Theatre
Feb. 25         1:15, 9:40
Feb. 26         1:15

MRS. HENDERSON PRESENTS - showing in the Rose Theatre
Feb.21-23               4:30, 7:00
Feb.    24              4:30, 7:20 - moves to the Rosebud Cinema
Feb.    25              1:45, 4:30, 7:20, 9:30
Feb.    26              1:45, 4:30, 7:20
Feb.27-March 2  4:30, 7:20

PRIDE & PREJUDICE - showing in the Rosebud Cinema
Feb.21-23               4:00

CAPOTE - showing in the Rosebud Cinema
Feb.21-23               7:20
                                    _____________________________________________________________

THE NEW WORLD
Directed by Terrence Malick
Cast: Collin Farrell, Q'orianka Kilcher, Christopher Plummer, August 
Schellenberg, Christian Bale
Rated PG-13 for some intense bloodless violence.  135 
min.  <http://www.thenewworld.com>

Since his debut with BADLANDS in 1973, Terrence Malick has directed just 
two films:  DAYS OF HEAVEN in 1978 and THE THIN RED LINE twenty years 
later.  That makes his fourth movie, the rapturously romantic and haunting 
NEW WORLD, a genuine event.  As Pocahontas, newcomer Q'orianka Kilcher, 15 
is the canvas on which Malick paints his portrait of the old world 
colliding with the new.  Kilcher, of Peruvian ancestry, has a unique beauty 
the camera loves, capable of quicksilver changes from winsome to 
precociously wise and grave.  She powers this mythic love story between the 
noble daughter of Powhatan and Captain John Smith, a soldier of fortune who 
arrived in Virginia in 1607, with 102 other Englishmen, ready to settle the 
colony of Jamestown.

Malick uses the myth to draw battle lines between nature and invading 
civilization.  A wondrous early image of an Indian watching the three 
English ships sail into the harbor stands in stark contrast to the carnage 
of the Indian attack when the settlers refuse to leave.  Malick and 
cinematographer Emmanuel Lubezki - a grandmaster at blending color and 
natural light - craft a tone poem that my throw some audiences through its 
use of interior monologues.

The final words of Pocahontas in England, a new mother constricted by her 
modern dress and surroundings, resonate powerfully.  "Let's go home," she 
tells her husband John.  In rendering the sound and spirit of that home in 
exquisite detail, Malick brings his film very close to a state of grace. 
(Excerpted from ROLLING STONE)

"A work of breathtaking imagination...and in every sense a masterpiece"-LOS 
ANGELS TIMES.  "This is a work of great passion and visual poetry"-EBERT & 
ROEPER.  "A work of astonishing ambition and beauty"-THE NEW YORK 
TIMES.  "Anyone who has keen eyes and an open heart will surely go soaring 
and crashing with the lovers lost in Malick's exotic, erotic new world"-TIME
                                                                _________________________________________________________________________

BREAKFAST ON PLUTO
Directed by Neil Jordan
Cast: Cillian Murphy, Stephen Rea, Brendan Gleeson, Liam Neeson
Rated R for sexuality, language, some violence and drug use.  129 
min.  <http://www.sonyclassics.com>

Director Neil Jordan's history of choosing such a range of material may 
never have served him better than with BREAKFAST ON PLUTO. This breezily 
moving picaresque yarn is quite different than THE BUTCHER BOY, Jordan's 
first collaboration with novelist Patrick McCabe, but just as reflective. 
PLUTO'S story of a boy and his oddball odyssey is as sweetly slight as it 
is subtlety profound, faltering only when it lets its sometimes too 
fanciful nature off the leash.

Cillian Murphy is hands-down the reason for most of its success in his role 
as Patrick "Kitten" Braden.  Murphy has been popping up all over the place 
in movies on both sides of the Atlantic as calculating psychopaths (BATMAN 
BEGINS, RED EYE) and befuddled every-men ( 28 DAYS LATER, COLD MOUNTAIN).

Here he plays a quixotic transvestite on the cusp of the '60s and '70s who 
wanders small-town Northern Ireland and back streets of London searching 
for the mother who left him as an infant with the local priest (Liam 
Neeson).  Though Murphy plays fey with a capital "F," his performance is so 
naturally in balance with his unusually cherubic manner that it never seems 
affected.  His quest as Kitten is unexpectedly touching and loaded with 
self-effacing humor.

The story is quite literally episodic, told in 36 titled vignettes that 
give Kitten's voyage a touch of "David Copperfield."  Considering all the 
varied characters that come and go with such abandon, the Dickensian 
analogy becomes even more appropriate as the anecdotes add up to the 
movie's greater whole.

One of the notable eccentrics that cross Kitten's path is Stephen Rea as a 
caring, two-bit showbiz conjurer who takes Kitten under his wing as a 
shill.  He also takes a shine to the boy in much the way he did to Dil in 
Jordan's THE CRYING GAME.

Other nifty personalities that quickly pop up and out are Brendan Gleeson 
(in a ridiculous animal suit) and Gavin Friday as a glam rocker with a 
gentle crush on Kitten as well as some not-so-gentle ties to the Irish 
Republican Army.  Former Music frontman Bryan Ferry also makes a cameo as a 
creepy sleazeball.

Held together by a brilliant fiber of obscure pop songs from the era, 
BREAKFAST ON PLUTO may be Jordan's most agreeable mixture of wisdom and 
whimsy.  (Excerpted from THE SEATTLE TIMES)

"A sprawling comic epic.  In a year overcrowded with wonderful performances 
by lead actors, Mr. Murphy's immensely appealing turn ranks among the 
strongest.  ...Celebrates thepower of the imagination.  A goofy sense of 
the marvelous and the absurd"-THE NEW YORK TIMES.  "Exuberant, playful, 
shocking!  Played with unstoppable wit and feeling by Cillian Murphy"-PREMIERE
                                                                _____________________________________________________________________


MRS. HENDERSON PRESENTS - Judi Dench, Best Actress Academy Award Nominee
Directed by Stephen Frears
Cast: Judi Dench, Bob Hoskins, Will Young, Christopher Guest, Kelly Reilly
Rated R for nudity and brief language.  103 
minutes.  <http://www.mrshendersonthemovie.com>

Just as there will always be an England, there will always be a certain 
kind of English film: the highly polished entertainment, well-acted, 
genteelly amusing and impeccably turned out.

MRS. HENDERSON PRESENTS is the latest example of the trend and an 
especially satisfying one.

Directed by veteran Stephen Frears and featuring fine performances by Bob 
Hoskins and the irresistible Judi Dench, MRS. HENDERSON PRESENTS is an 
artfully sentimentalized valentine to show business in general and musical 
theater in particular, with the stiff-upper-life pluckiness of London 
during the blitz serving as a backdrop.

Not just any kind of musical theater is being celebrated, as it happens, 
but a curious corner of British theatrical history.  That would be the 
years surrounding World War II when a place in Soho called the Windmill 
shocked Britain by putting naked young women on-stage and getting away with it.

According to Martin Sherman's good-natured script - inspired, we are told, 
by true events - none of this would have happened without the tempestuous 
partnership of the wealthy and eccentric Mrs. Laura Henderson (Dench) and a 
scrappy theatrical manager named Vivian Van Damm (Hoskins).

Much of MRS. HENDERSON PRESENTS follows familiar patterns: The girls have 
to be recruited, persuaded to be comfortably nude on stage, and then 
shielded from the ravages of London under the blitz.  All the while Mrs. H. 
and Van Damm go at it hammer and tongs, unable to live professionally 
either with or without each other.

Several things make all this extremely palatable, starting with the 
presence of 14 vintage stage musical numbers, including Benny Goodman's 
"Goody Goody" and the classically jaunty "Babies of the Blitz."

Also invaluable is the professionalism of director Frears, who never likes 
to do the same project twice and is coming off the much darker DIRTY PRETTY 
THINGS.

MRS. HENDERSON PRESENTS may be old fashioned, but Frears' touch keeps it as 
honest as it can be.  Best of all, and the heart of MRS. HENDERSON'S 
appeal, is the performance of Dench in the title role.  Though Hoskins is 
excellent and an essential foil, it is Dench who takes command of the 
film.  The part of "a most exasperating woman" who says whatever's on her 
mind fits the actress like a tailored Chanel suit.  Dench has an Oscar and 
all kinds of awards behind her, but this tart-tongued role is one of her 
very best.  (Excerpted from LOS ANGELES TIMES)

"Seriously funny"-NEWSWEEK.  "One of the wittiest comedies to come our way 
in a very long time"-THE WALL STREET JOURNAL.
                                                               __________________________________________________________________

PRIDE & PREJUDICE
Directed by Joe Wright
Cast: Keira Knightley, Mathew Macfadyen, Brenda Blethyn, Donald Sutherland, 
Tom Hollander, Rosamund Pike, Jena Malone, Judi Dench
Rated PG for some mild thematic elements.  128 min. 
<http://www.prideandprejudicemovie.net>

Does the thought of Keira Knightley as Elizabeth Bennet give you 
pause?  Jane Austen's smartest, toughest and most 
independent-minded  heroine was last portrayed by Jennifer Ehle in the 
excellent 1995 BBC miniseries, the one that established Colin Firth as the 
Mr. Darcy to end all Mr. Darcys.  There, Lizzie's intelligence was made to 
carefully hack its way through pin curls and silly Regency frippery like a 
machete-wielding Amazon explorer.  But in Joe Wright's exhilarating new 
version, the first feature film adaptation of PRIDE & PREJUDICE in 65 
years, LIzzie has been liberated from period fashion victim-hood, scruffed 
up a little, and let loose on the wily, windy moors.

In wash-and-dry hair  and sack-like brown dresses that highlight clavicles 
you could slice cake with, Knightley's beauty has been gamely toned down to 
bring Lizzie to life as a sharp, playful colt with a well-developed sense 
of the absurd.  It would be tempting to call her a modern heroine if modern 
heroines weren't such vapid saps.  Knightley does much better than that: 
She animates Lizzie's laser-like wit without dampening the righteous 
frustration from which it springs.  Like all great satirists, Austen knew 
to couch her barbs in humor, and Knightley's vibrant performance eloquently 
expresses the ignominious, but often funny, position Lizzie and her four 
sisters have been placed in by fate, gender and circumstance.

Lizzie is the second of five sisters, all of them unmarried, a fact that 
causes her honking goose of a mother (wonderfully played by Brenda Blethyn 
in various states of giddy agitation and distress) no end of worry.  The 
daughters of a minor member of the aristocracy whose house and fortune will 
go to a loathsome, toadying cousin when Mr. Bennet dies, the girls are at 
the mercy of whoever chooses to marry them.  But still they chafe at the 
idea of marrying for anything but love, and the story catches them at the 
precise moment when their futures are starting to come down to a reckless 
gamble.  How their lives turn out will depend on a careful calibration of 
decorum, parental engineering and luck.

The story has been compressed for time, as well as considerably sped up and 
aired out, thanks to Wright's dynamic direction and Roman Osin's voracious 
and kinetic photography.  In one notable deviation from the novel, Mr. 
Bennet's somewhat contemptible neglect of his daughters' situation has been 
softened here into a sort of benign distraction, which undercuts the 
tragedy of Lizzie's younger sister Lydia's bird-brained elopement with the 
rapacious Mr. Wickham.  But his doting  relationship with Lizzie is a pure 
pleasure to watch.

With outstanding performances, including a turn by Judi Dench as the evil 
Lady Catherine de Bourg, PRIDE & PREJUDICE is a joy from start to 
finish.  If this one doesn't inspire a rush on bookstores, nothing will. 
(Excerpted from LOS ANGELES TIMES)

"Supremely entertaining, lushly romantic and subtly sexy.  Keira Knightley 
imbues Austen's beloved heroine with just the right blend of humor, 
intensity and intelligence.  Donald Sutherland and Brenda Blethyn are both 
superb"-USA TODAY.  "Tantalizing"-ROLLING STONE
                                                               _____________________________________________________________

CAPOTE
Directed by Bennett Miller
Cast: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Jr., Chris 
Cooper, Bruce Greenwood, Bob Balaban
Rated R for gruesome post-mortem images and a hanging.  114 
min.  <http://www.sonyclassics.com>

In the bleak winter of 1959, Truman Capote (Philip Seymour Hoffman), seated 
in a Kansas farmhouse, gazes sadly through his horn-rims, explaining to the 
woman he's interviewing why people have always underestimated him.  Capote, 
the Southern-bred literary star, boozer and gossip queen, has journeyed to 
Holcomb, Kan., to do a story for The New Yorker about a modest farm family 
slaughtered in their home, without apparent motive, one horrible night.  He 
senses that the crime, its gruesomeness bursting the facade of "normal" 
America, has the makings of a drama as potent as any fiction.  He is about 
to spend six tormented years of obsession tearing his soul apart to write 
the revolutionary true-crime masterpiece In Cold Blood.

In CAPOTE, the rapt, absorbing, and thrillingly perceptive biographical 
drama written by Dan Futterman and directed by Bennett Miller, we can see 
why folks underestimate Capote.  Disarming expectations is the key to his 
method.  His voice is a whine that turns in to a moan that crests with a 
sigh topped with a baby's gurgle.  He sounds like Carol Channing on 
quaaludes.  Hoffman, in his sublime, must-see feat of a performance, plays 
that famous foppish lilt like a hypnotist's instrument, getting you to 
forget, in 30 seconds, that you're seeing an impersonation.  He makes 
Capote a mesmerizing raconteur who gets people to trust him by nudging his 
fragility and genius into the center of every encounter.

Capote, assisted by his friend Harper Lee knows how to use his celebrity to 
gain access to a community's secrets.  He makes an ally out of Alvin Dewey, 
the stern Kansas Bureau of Investigation official, and once the killers, 
Dick Hickcock and Perry Smith have been captured, tried, convicted, and 
given the death sentence, he bribes the prison warden to gain access to 
Perry, who will become the key figure in his story: his portrait of 
America's hidden, violent heart.

CAPOTE honors is subject by doing just what Truman Capote did.  It teases, 
fascinates, and haunts.  (Excerpted from ENTERTAINMENT WEEKLY)

"Golden Globe Winner - Philip Seymour Hoffman - Best Actor.  "Philip 
Seymour Hoffman caps a decade of brilliant work on stage and screen - he 
and the film are terrific"-TIME MAGAZINE.  "Not only does Mr. Hoffman 
achieve an impressive physical and vocal transformation... he also conveys, 
with clarity and subtlety, the complexities of Capote's temperament.  Ms. 
Keener performs the role of foil with particular grace.  Through her wary, 
witty performance, she becomes the bridge that connects with the 
audience"-THE NEW YORK TIMES
                                                              __________________________________________________________

Port Townsend Film Festival Hosts 2nd Annual Oscar Party Sunday, March 5 at 
the Silverwater Cafe

It's time to dust off your tuxedo, shine your shoes and shake the cobwebs 
from your grandmother's politically incorrect fur coat.  The Port Townsend 
Film Festival's 2nd Annual Oscar Party is just around the corner and a good 
time will be had by all.  With Oscar hosts John Stewart and PTFF Director 
Peter Simpson, how can it not be?

Reservations are required as space is limited.  Don't wait another minute, 
call today: 360.379.1333  Individual tickets are $50 and include the 
champagne reception and dinner.  Tables of eight are $500.

Highlights of the event include...
         red carpet arrival
         a silent auction beginning at 3:30
         Academy Award broadcast live by digital Port Townsend
         eight-course, international small plate dinner
         golden statue raffle contest
         live auction of prized, original movie memorabilia
         online auction beginning February 26!  Watch ptfilmfest.com

"And the winner is..."
                                                                _________________________________________________________________

2005-06 School of Athens Lecture Series continues Sunday, March 12 with 
Sharon Dembro

All series passes and individual tickets for the 2005-06 School of Athens 
Lecture Series have been sold. Experience tells us, however, that some 
ticket holders do not show up for every lecture, so invariably there are 
last minute seats available.  Our suggestion is that if you hope to 
purchase a last minute ticket, begin lining up outside the entrance to the 
Rose no later than 12:30.

The School of Athens, Port Townsend Extension, is organized as the 
classical Greek gymnasia, or gathering places, to hear speakers on a wide 
variety of ideas, as represented by Raphael in his Vatican fresco, The 
School of Athens.  The painting depicts the ancient philosophers including 
Aristotle, Plato, Socrates, and Zeno.

All lectures are on Sundays at 1:00 PM at the Rose Theatre.  Doors open at 
12:30 PM.  No late seating.

"2005-06 Lectures Series Sponsors:  William James Bookseller, Island 
Blueback, Inc., Hildt & Reid, Inc., P.S., Law Offices, Port Townsend 
Leader, Skookum and The Rose Theatre.

October 9, 2005 - ALAN WALKER: The Human Evolutionary Mosaic
Alan Walker, Professor of Anthropology at Pennsylvania State University, 
has also taught at Johns Hopkins and Harvard University.  After degrees 
from Cambridge and London University he worked for three decades with 
Richard and Meave Leakey at paleontological digs in Africa.  Among his 
finds were hominid species known as "The Black Skull," and "Turkana 
Boy."  In 1995 Dr.Walker and Meave Leakey unearthed the four-million-old 
skeletal remains of a previously unknown species in the human lineage, 
which they name Australopithecus anamensis.  Among his publications, he 
co-authored The Ape in the Tree: An Intellectual and Natural History of 
Proconsul.

November 13, 2005 - ROBERT PYLE: Butterflies of Cascadia
Robert M. Pyle has authored over fourteen books, including Wintergreen 
(winner, John Burroughs Medal for Distinguished Nature Writing), Where 
Bigfoot Walks, Chasing Monarchs, The Audubon Society Field Guide to North 
American Butterflies, and The Handbook for Butterfly Watchers.  With a 
doctorate in Conservation Ecology from Yale University, he has taught at a 
number of universities.  While a Fulbright Fellow in England, Dr. Pyle 
founded Xerces Society for Invertebrate Conservation.  HIs awards include 
three Washington Governor's Writing Awards, the Harry B. Nehls Award in 
Nature Writing, and the John Adams Comstock Award from the Lepidopterists' 
Society.  He lives in Gray's River, Washington.

January 8, 2006 - KATHLEEN MURPHY: Why Movies Matter
Kathleen Murphy has served on the faculties of the University of 
Pennsylvania and the University of Washington, where she founded a Cinema 
Studies program and headed the UW Arts and Humanities Department in 
Continuing Education.  In 1990 she was appointed Film Society 
Writer-in-Residence at Lincoln Center in New York.  Dr. Murphy has served 
as editor and/or writer for Film Comment, Microsoft Cinemania, Village 
Voice, Seattle Weekly, The Stranger and Newsweek-Japan, and her essays have 
appeared in Women and the Cinema and The Best American Movie Writing 
1998.  A frequent lecturer on film and culture, she also has served on 
selection committees and juries for the Seattle International and New York 
Film Festivals.

February 12, 2006 - ARTHUR FINE: What Was He Thinking?  Einstein and the 
Quantum
Arthur Fine was one of the first people to explore the Einstein archives, 
which resulted in his book, The Shaky Game: Einstein, Realism and The 
Quantum Theory.  A Professor of Philosophy at the University of Washington, 
his research concentrates on the philosophy of physics and on general 
philosophical issues relating to the natural and social sciences.  Current 
projects involve both foundational questions (concerning the interplay 
between physics and mathematics) and the exploration of relativism and 
objectivity in science.  Dr. Fine also is author of Bohmian Mechanics and 
Quantum Theory: An Appraisal and numerous articles.  He lives in Port Townsend.

March 12, 2006 - SHARON DEMBRO: Inside Diplomacy
Sharon Mercurio Dembro represented the United States as a diplomat from 
1976 to 2000, retiring to Port Townsend at the highest Senior Foreign 
Service Rank - Minister Counselor.  She served in Stockholm, London, Addis 
Ababa, Milan and Oslo, and in 2004 spent three months inspecting the 
political and economic sections of US embassies in Romania, Bulgaria and 
Moldova.  She has worked on such issues as food aid to victims of famine, 
refugees in Ethiopia, interpretation of the Italian political revolution 
led by Milan magistrates (for which she received Superior Honor Award) and 
organizing mechanisms to deal with nuclear waste in Northwest Russia.  In 
October she leaves for a three-month inspection of the U.S. Embassy and 
Consulates in Saudi Arabia.

April 9, 2006 - STEVE RUNNING: Evidence of Global Climate Change and 
Warming in the Pacific Northwest
Steven W. Running, Professor of Ecology at the University of Montana, 
participated in the authorship of the 4th Assessment of the 
Intergovernmental Panel on Climate Change and is a Team Member for the NASA 
Earth Observing System, Moderate Resolution Imaging Spectroradiometer.  His 
primary research interest is the development of global and regional 
ecosystem biogeochemical models by integration of remote sensing with 
climatology and terrestrial ecology.  Dr. Running currently serves on a 
number of committees including the International Geosphere-Biosphere 
Program Executive Committee and the World Climate Research Program.  He has 
published over 200 scientific articles.
                                                                __________________________________________________________________

Admission Prices
General admission to the Rose is $8, senior citizens (62+) $7, children (12 
& under) $6.  The matinees are $1 less.  The box office opens 30 minutes 
before the first show of the day, and tickets may be purchased at that time 
for any show through Thursday, March 2.

Assisted listening devices are available by request at the concession.

Both auditoriums are wheelchair accessible, as well as the main floor 
restroom.  If you phone our office  ahead of time we'll be happy to reserve 
for you the designated seating area in either the Rose Theatre or Rosebud 
Cinema.  (360.385.1039)
                                                              _______________________________________________________________

Gift Suggestions

Rose Theatre T-Shirts - $16.00
Rose Theatre Sweatshirts - $32.00
Admission Gift Certificates - $8, $7, $6"
Discount Cards - $35.00 - (five admissions) Saves $1 on each general 
admission ticket.
Concession Gift Certificates for any denomination
                                                               _____________________________________________________________

Coming Attractions*

MATCH POINT - tba - Woody Allen returns to form with this serious and 
lusciously entertaining adultery drama driven by a lust that turns into 
authentic compulsion.  The movie stars Scarlett Johansson, Brian Cox and 
Jonathan Rhys Meyers.  "Johansson is tart and terrific, exuding enough 
come-on carnality to singe the screen"-ROLLING STONE.  "...the screen comes 
alive whenever Rhys Meyers radiates his cunning magnetism"-TIME.COM

PARADISE NOW - tba - Of all the shocks in this political thriller, the most 
unsettling may be the dignity bestowed on a pair of prospective Palestinian 
suicide bombers - not horrified condemnation, not rabid support, just calm 
regard for two young men prepared to kill themselves and others for what 
they believe is a just cause.  "A heart-stopping story whose urgency is 
startling"-LOS ANGELES TIMES.  "Undeniably 
powerful"-PREMIERE.  <http://www.paradisenowthemovie.com>

BALLET RUSSES - March 31 - Ballet fan or phobe, within the opening seconds 
of BALLET RUSSES, resistance is futile.  This stunning documentary will win 
your heart.  Don't even consider not seeing it.  "Will utterly 
delight"-NEWSDAY.  "Absolutely fabulous"-NEW YORKER.  "Splendid"-VILLAGE 
VOICE.  <http://www.zeitgeistfilms.com>

THE THREE BURIALS OF MELQUIADES ESTRADA - tba - Actor Tommy Lee Jones in 
his directorial debut has created a mesmerizing classic western, full of 
grit and dark humor, with a stubborn belief in the importance of 
honor.  Starring Barry Pepper, Julio Cesar Cedillo, January Jones, Dwight 
Yoakam.  "Eccentric and profound"-NEWSDAY.  "Potent and 
provocative"-ROLLING STONE.  <http://www.sonyclassics.com>

*schedule subject to change.
                                                               _______________________________________________________________

Rose Theatre Movie Challenge:   This movie film never played Los Angeles 
until 20 years after it was produced, when it thereby became eligible for 
Academy Award consideration.  Identify the movie.

Rules: Answers must be e-mailed to moviechallenge at rosetheatre.com with Rose 
Theatre Contest in the subject line.  One winner will be selected at random 
from correct responses received by midnight, February 24 and will be 
notified by e-mail.  Your free pass will be held at the box office so you 
must include your name along with your movie challenge answer.  Passes are 
good for 30 days.
                               ________________________________________________________

Last Week's Question:  This current Oscar nominee graduated from Nathan 
Hale High School in Seattle.  Identify this person.

Answer: John Myhre

Congratulations to LM, our winner this week.

                               ________________________________________________________

Soundtracks to movies featured at the Rose Theatre are available at Quimper 
Sound Music & Media, 901 Water Street, Port Townsend.  Your Rose Theatre 
ticket stub may be redeemed at Quimper Sound for $1 off any purchase of $10 
or more.  Offer valid for one month from movie date.  One stub per 
purchase.   Not valid on Quimper Sound gift certificates or tickets.

E-mail addresses are collected only for the Rose Theatre Newsletter.  They 
are not transferred to any third party for any reason.  Our complete 
Privacy Policy is available at <http://www.rosetheatre.com>
_______________________________________________
Rose-movies mailing list
Rose-movies at mailman.olympus.net
http://mailman.olympus.net/mailman/listinfo/rose-movies

-------------- next part --------------
An HTML attachment was scrubbed...
URL: http://mailman.olympus.net/pipermail/rose-movies/attachments/20060221/b0df307c/attachment.html


More information about the Rose-movies mailing list