<html>
<body>
<b>This week's newsletter includes:
<ul>
<li><font color="#FF0000">SYRIANA </font>starts Friday, January 27
<li><font color="#0000FF">Silent Comedies with Live Music - Sunday, Jan.
29 </font>- 6 tickets remaining
<li><font color="#FF0000">NINE LIVES </font>ends Thursday, January 26
<li><font color="#FF0000">BROKEBACK MOUNTAIN </font>held over
<li><font color="#0000FF">Diaper Daze Cinema </font>Returns February 2
<li><font color="#0000FF">School of Athens Lecture Series - Sunday,
February 12 - Arthur Fine</font>
<li>Admission Prices
<li>Gift Suggestions
<li>Coming Attractions
<li>Rose Theatre Movie
Challenge
</ul>Show Times: Tuesday, January 24 - Thursday, February 2<br><br>
SYRIANA - showing in the Rose Theatre<br>
</b>Jan.
27<x-tab> </x-tab><x-tab> </x-tab>4:30,
7:20<br>
Jan.
28<x-tab> </x-tab><x-tab> </x-tab>1:20,
4:30, 7:20, 9:50<br>
Jan.29-31<x-tab> </x-tab><x-tab> </x-tab>4:30,
7:20<br>
Feb.
1,2<x-tab> </x-tab><x-tab> </x-tab>4:30,
7:20<br><br>
<b>SILENT COMEDIES with LIVE MUSIC - showing in the Rose Theatre<br>
</b>Jan.
29<x-tab> </x-tab><x-tab> </x-tab>1:00<br><br>
<b>NINE LIVES - showing in the Rosebud Cinema<br>
</b>Jan.24-26<x-tab> </x-tab><x-tab> </x-tab>4:30,
7:20<br><br>
<b>BROKEBACK MOUNTAIN - showing in the Rose Theatre<br>
</b>Jan.24-27<x-tab> </x-tab><x-tab> </x-tab>4:00,
7:00 <b>- moves to the Rosebud Cinema 1/27<br>
</b>Jan.
28<x-tab> </x-tab><x-tab> </x-tab>1:00,
4:00, 7:00, 9:40<br>
Jan.29-31<x-tab> </x-tab><x-tab> </x-tab>4:00,
7:00<br>
Feb.
1,2<x-tab> </x-tab><x-tab> </x-tab>4:00,
7:00<br>
<font color="#0000FF"><b>
</font>
_____________________________________________________________<br><br>
SYRIANA<br>
Directed by Stephen Gaghan<br>
Cast: George Clooney, Matt Damon, Amanda Peet, Jeffrey Wright, Chris
Cooper, William Hurt, Mazhur Munir, Tim Blake Nelson, Christopher
Plummer, Alexander Siddig<br>
Rated R for violence and language. 125 min.
<font color="#0000FF"><<a href="http://www.syrianamovie.com/" eudora="autourl">http://www.syrianamovie.com</a>>
<br><br>
</b>SYRIANA </font>is a film of paradoxes, contradictions and
complications. It's a political thriller that thrives on
misdirection, on hiding information just as it hides glamorous George
Clooney behind a rumpled exterior and a full beard. Even its title
is a puzzler: The meaning is critical, but no one on screen so much as
says the word let alone explains it.<br><br>
Written an directed by Stephen Gaghan, <font color="#0000FF">SYRIANA
</font>is a fearless and ambitious piece of work, made with equal parts
passion and calculation, an unapologetically entertaining major studio
release with compelling real-world relevance, a film that takes numerous
risks and thrives on them all. An Oscar winner for writing
<font color="#0000FF">TRAFFIC, </font>Gaghan is not shy about using
traditional Hollywood ingredients such as dramatically super-charged plot
elements and a major-player cast, but what he does with them is the
opposite of standard.<br><br>
Gaghan fiddles with the norms of studio storytelling in ways both nervy
and unnerving, including treating all his stars like supporting players,
the better to grapple with one of today's biggest stories, the
ramifications of the fight to control the planet's dwindling supply of
oil.<br><br>
More than that, Gaghan uses the cover of genere picture-making to present
a scathing critique of how America acts to protect its interests, how we
try to get the world to dance to our tune, and what the consequences of
those actions can be. This is a film to make your head spin and,
more critically, your mind ponder. <br><br>
This also a film, frankly, that can be as confusing as it is involving,
that intentionally tells its story in a way that is all but impossible to
follow in detail. That's due both to the complexity of the tale
<font color="#0000FF">SYRIANA </font>has chosen and Gaghan's subversive
determination to use mystification in the service of what he sees as a
greater good. Pursing his widely quoted notion that oil was the
world's crack addiction, Gaghan made a connection with former top CIA
field officer Robert Baer, whose book "See No Evil" gets a
"suggested by" credit. Gaghan hung out with Baer for a
considerable period of time, meeting major players in the interconnected
worlds of espionage and politics, international finance and law, oil and
radical Islam.<br><br>
Out of this came <font color="#0000FF">SYRIANA's </font>complicated plot,
which revolves around a fictional but oil-rich emirate in the Persian
Gulf, which begins the narrative by announcing it has transferred
drilling rights from Connex, a giant Texas firm, to the higher-bidding
People's Republic of China. This change profoundly affects four
people, individuals who are not initially aware of one another but are
involved in the geopolitical world of Middle Eastern oil and
gas.<br><br>
This is conspiracy-theory filmmaking of the most bravura kind, but if
only a fraction of its suppositions are true, we - and the world - are in
a world of trouble. (Excerpted from LOS ANGELES TIMES)<br><br>
<b>"'Syriana' is brilliant. George Clooney is hypnotic,
haunting and quietly devastating. Gaghan mixes potent writing with
images that tear at the heart"</b>-ROLLING STONE. <b>"A
fearless and ambitious piece of work"</b>-LOS ANGELES TIMES.
<b>"'Syriana' demands and rewards close attention"</b>-THE NEW
YORK TIMES<br>
<b>Golden Globe Award Winner - George Clooney, Best Supporting
Actor<br>
___________________________________________________________________<br><br>
<font color="#0000FF">FOUR SILENT COMEDIES WITH LIVE MUSIC<br><br>
</font>Sunday, January 29th the Rose Theatre and the Port Townsend Film
Festival are presenting an afternoon of silent comedies with live
accompaniment by internationally renown pianist Donald Sosin.<br><br>
</b>The program, from 1:00 to 3:00 p.m., includes Buster Keaton in
<font color="#0000FF">COPS </font>(1922), Charlie Chaplin in
<font color="#0000FF">ONE A.M. </font>(1916), Laurel and Hardy in
<font color="#0000FF">BIG BUSINESS </font>(1929) and Max Davidson in
<font color="#0000FF">PASS THE GRAVY </font>(1928).<br><br>
Advance tickets at $15 may be purchased at the Rose Theatre box office
during regular business hours. <br><br>
Donald Sosin has been enthralling audiences in the US and Europe with his
silent film music for over thirty years. Born in 1951, he grew up in Rye,
NY, and Munich. He studied piano with Kyriena Siloti, and is a
graduate of the University of Michigan and Columbia University, studying
composition with William Albright and Jack Beeson. He was the
resident film accompanist at MoMA in the late 70's, and returns there
frequently as a guest pianist. For many years he has performed at
the American Museum of the Moving Image, the BAM Rose Cinema, and the
Lincoln Center Film Society.<br><br>
He has composed music for screenings of women's films at AMMI and Chinese
films at the Guggenheim Museum. In 2001 he was commissioned by the
Westchester Film Festival to score the earliest existing American feature
film, <font color="#0000FF">RICHARD III, </font>for chamber ensemble and
voice. At the Whitney Museum he premiered his score for
<font color="#0000FF">SALOME </font>as part of the Unseen Cinema series,
for which he also recorded ninety minutes of music for this unique series
of programs of avant-garde cinema currently touring museums around the
world. Mr. Sosin lectured on silent film music at the Aspen
Institute of Humanities.<br><br>
For DVD release Sosin scored <font color="#0000FF">NOSFERATU, THE CABINET
OF DR. CALIGARI </font>and <font color="#0000FF">BLIND HUSBANDS
</font>for Kino Video, 19 avant-garde films for the fall 2005 Kino Video
and Image Entertainment releases, a group of Edison films for Kino
Video, Ozu's <font color="#0000FF">A STORY OF FLOATING WEEDS </font>and
DeMille's <font color="#0000FF">KING OF KINGS </font>for Criterion, and a
pair of Pickford films for Milestone. He performs each October at
Le Giomate del Cinema Muto in Sacile and has appeared at the New York,
San Francisco, Philadelphia, Bellport and Hamptons Film Festivals,
Pacific Film Archives' Asian Film Festival, and the Film Forum.
Each July for the past four years he has performed at Bologna's Cinema
Ritrovato, and has made two appearances at the Telluride Film
Festival. In 2001 he and his wife, actress/singer Joanna Seaton,
participated in a colloquium on silent film music at the Berlin
Filmmuseum. They performed his score for
<font color="#0000FF">FOOLISH WIVES </font>with a five-piece band at the
Massachusetts Museum of Contemporary Art, featuring new songs by the
couple, and a chamber score for the European premiere of MoMA's
restoration of <font color="#0000FF">EAST SIDE WEST SIDE.
</font>The couple has performed at the Virginia Film Festival, the
National Gallery, Connecticut's Music Mountain and many college
campuses. The couple has led workshops in silent film scoring for
talented high school musicians. Their CD of Broadway love songs,
<i>SAIL AWAY, </i>was released in 1999.
<font color="#0000FF"><b><<a href="http://www.silent-film-music.com/" eudora="autourl">http://www.silent-film-music.com</a>><br><br>
</font>"Donald Sosin...an unflappable pianist"</b>-Dick Hyman,
KEYBOARD MAGAZINE. <b>"Sosin's music is droll and
intelligent"</b>-VILLAGE VOICE.<br><br>
<b>"For me the process of writing and performing music is a
spiritual activity, as well as an enjoyable means of practicing my
craft. Ironically, I am often looking for ways to make the film
accompaniment more silent, so that the disappearance of music would be
perceived as an integral part of the film, and not something forced upon
the listener"</b>-Donald Sosin<br>
<b>_______________________________________________________________<br><br>
NINE LIVES<br>
Directed by Rodrigo Garcia<br>
Cast: Robin Wright Penn, Glenn Close, Holly Hunter, Dakota Fanning, Sissy
Spacek, Kathy Baker, Amy Brenneman, Lisa Gay Hamilton, Mary Kay Place,
Aidan Quinn, Ian McShane, Joe Mantegna, William Fichtner<br>
Rated R for language, brief sexual content and some disturbing
images. 115 min.<br>
<font color="#0000FF"><<a href="http://www.9livesmovie.com/" eudora="autourl">http://www.9livesmovie.com</a>><br><br>
</b></font>Rodrigo Garcia's <font color="#0000FF">NINE LIVES </font>is
that rare episode film that actually accrues a cumulative power and
doesn't merely proceed from one segment to the next. By the time
it's over it has become a testament to the inner resilience of women in
coping with a critical moment in their lives. <br><br>
Each sequence, unfolding powerfully in a single take, links deftly to the
next with a smooth yet driving momentum, and individuals from one
vignette turn up in another in an unobtrusive, credible manner that plays
down coincidence to suggest instead the not-always-apparent
interconnectedness of people's lives<br><br>
Each segment seems perfectly shaped and timed, not lasting a second too
long yet always of sufficient length to be satisfying in itself.
<b>Garcia's large ensemble cast is impeccable and he and his actors have
created a film as memorable as it is subtle.<br><br>
</b>Garcia is fascinated by the inner lives of women and his compassion
and empathy bring them alive in these vignettes, these brief but intimate
character sketches in a 12-minute or so span of life. Even in their
most troubled, vulnerable, panicked moments, he reveals grace and beauty
and honesty and raw humanity, perhaps especially in those moments of
duress.<br><br>
But the stories also take the audience on a journey, from rage and anger
to connection and peace, a life cycle told through the moments of time
from nine women who have nothing in common but their struggles, their
search for happiness and their connection to the tapestry of
humanity. (Excerpted from LOS ANGELES TIMES)<br><br>
<b>"I'm not sure how Garcia makes his vignettes so urgent, so
satisfying, in such little time. He seems to have an almost
clairvoyant grasp of character and has at his command some of the best
actresses working. It's a master class in acting. I say give
the whole cast a truckload of Oscars."</b>-NEWSWEEK.
<b>"Grade A, deeply satisfying"</b>-ENTERTAINMENT WEEKLY<br>
<b>
__________________________________________________________________<br><br>
BROKEBACK MOUNTAIN <br>
Directed by Ang Lee<br>
Cast: Heath Ledger, Jake Gyllenhaal, Michelle Williams, Anne Hathaway,
Anna Farris, Randy Quaid<br>
Rated R for sexuality, nudity, language and some violence. 134 min.
<font color="#0000FF"><<a href="http://www.brokebackmountain.com/" eudora="autourl">http://www.brokebackmountain.com</a>><br><br>
</b></font>Ang Lee's unmissable and unforgettable
<font color="#0000FF">BROKEBACK MOUNTAIN </font>hits you like a shot in
the heart. It's a landmark film and a triumph for Heath Ledger and
Jake Gyllenhaal, who bring deep reserves of feeling to the defiantly
erotic love story about two Wyoming ranch hands and the external and
internal forces that drive them from desire to denial. Directed
with piercing intelligence and delicacy by Lee, the film of Annie
Proulx's 1997 short story - the unerring script by Larry McMurtry and
Diana Ossana is a model of literary adaptation - wears its emotions on
its sleeve.<br><br>
The film spans some 20 years in the lives of Jack Twist (Jake Gyllenhaal)
and Ennis Del Mar (Heath Ledger), from their first and only summer
together working as sheepherders on Brokeback Mountain to their
pot-bellied middle age. Over the years, they each marry, raise
children and meet every few years for fishing trips, during which little
fishing takes place. Theirs is an electric connection, begun in a
too-small tent on Brokeback and never fading. Both are all too
aware of the price of anyone finding out. Ennis, the less
articulate of the two, manages to frame his fears precisely: "This
thing grabs hold of us again, in the wrong place, the wrong time, and
we're dead."<br><br>
Lee fills his film with long, waiting silences, punctuated by the endless
horizontal lines of the Wyoming and Texas plains. And he gives his
actors room to work small miracles of character. <b>Ledger's
performance is a revelation</b>; nothing he has done on screen indicated
that he was capable of this. He's a tightly wound man of few words
and a few visible emotions, which Ledger lets slip out like flickers from
an ember: the nervous eagerness with which he waits at the window for a
visit from Jack, the ever-so-slight softening of his voice when he speaks
of his daughters, the way he sets his jaw against impossible dreams of a
happier future with Jack. "If you can't fix it," he says,
"you've got to stand it."<br><br>
<b>Michelle Williams does beautiful work as Ennis' young wife, Alma, a
woman a little bit afraid of something she can't name. Finally, she
sees evidence of what she fears - Ennis and Jack in a stairwell - and her
face freezes: Her world has ended. <br><br>
</b>The emotional impact of <font color="#0000FF">BROKEBACK MOUNTAIN
</font>is all the more stunning for its quietness. Little that's
dramatic happens on screen, and its central image couldn't be more
prosaic: two worn-soft western shirts, hanging together. But Lee, a
master of yearning, has created a classic and heartbreaking love story
that won't be easily forgotten. It stays with you after you've seen
it, like a haunting strain of music; both love song and elegy for what
might have been. (Excerpted from THE SEATTLE TIMES and ROLLING
STONE)<br><br>
<b>"A big sweeping and rapturous Hollywood love story. It
could turn out to be the most revolutionary movie of the year. A
film in which love feels almost as if it were being invented. It is
also a rare crowd-pleaser with the potential to change hearts and
minds"</b>-ENTERTAINMENT WEEKLY<br><br>
<b>Voted Best Picture of the Year: New York Film Critics Circle, Los
Angeles Film Critics Association, Boston Society of Film Critics, San
Francisco Film Critics Circle.<br>
______________________________________________________________<br><br>
DIAPER DAZE CINEMA RETURNS FEBRUARY 2, 1:00 p.m.
-</b><font color="#0000FF"> BROKEBACK MOUNTAIN<br><br>
</font>By popular demand, Diaper Daze Cinema, special matinee showings
for parents with infants, returns to the Rose Theatre next week.
<br><br>
Diaper Daze began many years ago after we received numerous requests from
parents who were sorry to be missing new movies on the big screen.
Therefore, taking inspiration from the "crying rooms" provided
by some theatres around the country, The Rose began offering the entire
theatre for crying. Parents are invited to bring their exuberant
offspring without trepidation, knowing that disruptions are absolutely
guaranteed.<br><br>
Diaper Daze Cinema will take place at 1:00, but the day of the week may
vary from movie to movie. The movie will be announced in our
e-newsletter, in our weekly Leader ad, on our movie information line
(360.385.1089) and on our web site
(<a href="http://www.rosetheatre.com/" eudora="autourl">www.rosetheatre.com</a>).
Regular matinee prices apply.<br><br>
Diaper Daze Cinema is for the enjoyment of film-starved parents with
infants. As the content of the movie is often adult-oriented, these
special matinees are not appropriate for toddlers or young
children.<br>
<b>_________________________________________________________________<br>
<br>
<font color="#0000FF">2005-06 School of Athens Lecture Series
</font>continues Sunday, February 12 with Arthur Fine<br><br>
</b><font color="#0000FF">All series passes and individual tickets for
the 2005-06 School of Athens Lecture Series have been sold. Experience
tells us, however, that some ticket holders do not show up for every
lecture, so invariably there are last minute seats available. Our
suggestion is that if you hope to purchase a last minute ticket, begin
lining up outside the entrance to the Rose at noon.<br><br>
</font><b>The School of Athens, Port Townsend Extension, </b>is organized
as the classical Greek <i>gymnasia, </i>or gathering places, to hear
speakers on a wide variety of ideas, as represented by Raphael in his
Vatican fresco, <i>The School of Athens. </i>The painting depicts
the ancient philosophers including Aristotle, Plato, Socrates, and
Zeno.<br><br>
<b>All lectures are on Sundays at 1:00 PM at the Rose
Theatre. Doors open at 12:30 PM. No late seating.<br><br>
2005-06 Lectures Series Sponsors: <font color="#0000FF">William
James Bookseller, Island Blueback, Inc., Hildt & Reid, Inc., P.S.,
Law Offices, Port Townsend Leader, Skookum and The Rose
Theatre.<br><br>
</font><u>October 9, 2005 - ALAN WALKER: The Human Evolutionary
Mosaic<br>
</u></b>Alan Walker, Professor of Anthropology at Pennsylvania State
University, has also taught at Johns Hopkins and Harvard
University. After degrees from Cambridge and London University he
worked for three decades with Richard and Meave Leakey at paleontological
digs in Africa. Among his finds were hominid species known as
"The Black Skull," and "Turkana Boy." In 1995
Dr.Walker and Meave Leakey unearthed the four-million-old skeletal
remains of a previously unknown species in the human lineage, which they
name <i>Australopithecus anamensis. </i>Among his publications, he
co-authored <i>The Ape in the Tree: An Intellectual and Natural History
of Proconsul.<br><br>
</i><b><u>November 13, 2005 - ROBERT PYLE: Butterflies of Cascadia<br>
</u></b>Robert M. Pyle has authored over fourteen books, including
<i>Wintergreen </i>(winner, John Burroughs Medal for Distinguished Nature
Writing), <i>Where Bigfoot Walks, Chasing Monarchs, The Audubon Society
Field Guide to North American Butterflies, </i>and <i>The Handbook for
Butterfly Watchers. </i>With a doctorate in Conservation Ecology
from Yale University, he has taught at a number of universities.
While a Fulbright Fellow in England, Dr. Pyle founded Xerces Society for
Invertebrate Conservation. HIs awards include three Washington
Governor's Writing Awards, the Harry B. Nehls Award in Nature Writing,
and the John Adams Comstock Award from the Lepidopterists' Society.
He lives in Gray's River, Washington.<br><br>
<b><u>January 8, 2006 - KATHLEEN MURPHY: Why Movies Matter<br>
</u></b>Kathleen Murphy has served on the faculties of the University of
Pennsylvania and the University of Washington, where she founded a Cinema
Studies program and headed the UW Arts and Humanities Department in
Continuing Education. In 1990 she was appointed Film Society
Writer-in-Residence at Lincoln Center in New York. Dr. Murphy has
served as editor and/or writer for <i>Film Comment, Microsoft Cinemania,
Village Voice, Seattle Weekly, The Stranger </i>and <i>Newsweek-Japan,
</i>and her essays have appeared in <i>Women and the Cinema </i>and
<i>The Best American Movie Writing 1998. </i>A frequent lecturer on
film and culture, she also has served on selection committees and juries
for the Seattle International and New York Film Festivals.<br><br>
<b><u>February 12, 2006 - ARTHUR FINE: What Was He Thinking?
Einstein and the Quantum<br>
</u></b>Arthur Fine was one of the first people to explore the Einstein
archives, which resulted in his book, <i>The Shaky Game: Einstein,
Realism and The Quantum Theory. </i>A Professor of Philosophy at
the University of Washington, his research concentrates on the philosophy
of physics and on general philosophical issues relating to the natural
and social sciences. Current projects involve both foundational
questions (concerning the interplay between physics and mathematics) and
the exploration of relativism and objectivity in science. Dr. Fine
also is author of <i>Bohmian Mechanics and Quantum Theory: An Appraisal
</i>and numerous articles. He lives in Port Townsend.<br><br>
<b><u>March 12, 2006 - SHARON DEMBRO: Inside Diplomacy<br>
</u></b>Sharon Mercurio Dembro represented the United States as a
diplomat from 1976 to 2000, retiring to Port Townsend at the highest
Senior Foreign Service Rank - Minister Counselor. She served in
Stockholm, London, Addis Ababa, Milan and Oslo, and in 2004 spent three
months inspecting the political and economic sections of US embassies in
Romania, Bulgaria and Moldova. She has worked on such issues as
food aid to victims of famine, refugees in Ethiopia, interpretation of
the Italian political revolution led by Milan magistrates (for which she
received Superior Honor Award) and organizing mechanisms to deal with
nuclear waste in Northwest Russia. In October she leaves for a
three-month inspection of the U.S. Embassy and Consulates in Saudi
Arabia.<br><br>
<b><u>April 9, 2006 - STEVE RUNNING: Evidence of Global Climate Change
and Warming in the Pacific Northwest<br>
</u></b>Steven W. Running, Professor of Ecology at the University of
Montana, participated in the authorship of the 4th Assessment of the
Intergovernmental Panel on Climate Change and is a Team Member for the
NASA Earth Observing System, Moderate Resolution Imaging
Spectroradiometer. His primary research interest is the development
of global and regional ecosystem biogeochemical models by integration of
remote sensing with climatology and terrestrial ecology. Dr.
Running currently serves on a number of committees including the
International Geosphere-Biosphere Program Executive Committee and the
World Climate Research Program. He has published over 200
scientific articles.<br>
<b>
__________________________________________________________________<br><br>
Admission Prices<br>
</b>General admission to the Rose is $8, senior citizens (62+) $7,
children (12 & under) $6. The matinees are $1 less.
<font color="#0000FF">The box office opens 30 minutes before the first
show of the day, and tickets may be purchased at that time for any show
through Thursday, February 2.<br><br>
</font>Assisted listening devices are available by request at the
concession. <br>
<br>
Both auditoriums are wheelchair accessible, as well as the main floor
restroom. If you phone our office ahead of time we'll be
happy to reserve for you the designated seating area in either the Rose
Theatre or Rosebud Cinema. (360.385.1039)<br>
<b>
_______________________________________________________________<br>
</b><x-tab> </x-tab><x-tab> </x-tab><br>
<b>Gift Suggestions <br><br>
</b>Rose Theatre T-Shirts - $16.00<br>
Rose Theatre Sweatshirts - $32.00<br>
Admission Gift Certificates - $8, $7, $6<br>
Discount Cards - $35.00 - (five admissions) Saves $1 on each general
admission ticket.<br>
Concession Gift Certificates for any denomination<br>
<b>
_____________________________________________________________<br><br>
Coming Attractions*<br><br>
</b><font color="#0000FF">CAPOTE </font>- February 3 - Philip Seymour
Hoffman never dreamed of portraying Truman Capote, but he ends up
delivering one of the finest performances of the year in this absorbing
picture about Capote's writing of "In Cold Blood."
<b>Rapt, absorbing, and thrillingly perceptive. A must-see feat of
a performance"</b>-ENTERTAINMENT WEEKLY. <b>"Hoffman caps
a decade of brilliant work on stage and screen - he and the film are
terrific"</b>-TIME MAGAZINE.
<font color="#0000FF"><http://www.sonyclassics.com><br><br>
PRIDE & PREJUDICE </font>- tba - A sumptuous new screen adaptation of
Jane Austen's classic tale that makes you believe in true love.
<b>"Magical"</b>-Roger Ebert.
<b>"Vibrant"</b>-LOS ANGELES TIMES. <b>"Supremely
entertaining, lushly romantic and subtly sexy"</b>-USA TODAY.
<font color="#0000FF"><http://www.prideandprejudicemovie.com><br><br>
PARADISE NOW </font>- tba - Of all the shocks in this political thriller,
the most unsettling may be the dignity bestowed on a pair of prospective
Palestinian suicide bombers - not horrified condemnation, not rabid
support, just calm regard for two young men prepared to kill themselves
and others for what they believe is a just cause. <b>"A
heart-stopping story whose urgency is startling"</b>-LOS ANGELES
TIMES. <b>"Undeniably powerful"</b>-PREMIERE.
<font color="#0000FF"><http://www.paradisenowthemovie.com><br><br>
</font>*schedule subject to change.<br>
<b>
_______________________________________________________________<br><br>
Rose Theatre Movie Challenge: </b>Which character from
<font color="#0000FF">NINE LIVES </font>said the following:<b>
</b>"Five minutes with you and I always feel like my life is a
figment of my imagination." <br><br>
<b>Rules: Answers must be e-mailed to
</b><font color="#0000FF">moviechallenge@rosetheatre.com </font><b>with
</b><font color="#0000FF">Rose Theatre Contest </font><b>in the subject
line. One winner will be selected at random from correct responses
received by midnight, January 27 and will be notified by e-mail.
Your free pass will be held at the box office so you must include your
name along with your movie challenge answer. Passes are good for 30
days.<br>
</b><font color="#0000FF">
</font><b>________________________________________________________<br><br>
Last Week's Question: </b>Heath and Michelle have a new baby
girl. What is her middle name?<br><br>
Answer: Rose<br><br>
Congratulations to AH, our winner this week, and to CS, last week's
winner.<br><br>
<font color="#0000FF">
</font><b>________________________________________________________<br><br>
</b><font color="#0000FF">Soundtracks to movies featured at the Rose
Theatre are available at Quimper Sound Music & Media, 901 Water
Street, Port Townsend. Your Rose Theatre ticket stub may be
redeemed at Quimper Sound for $1 off any purchase of $10 or more.
Offer valid for one month from movie date. One stub per
purchase. Not valid on Quimper Sound gift certificates or
tickets.<br><br>
</font>E-mail addresses are collected only for the Rose Theatre
Newsletter. They are not transferred to any third party for any
reason. Our complete Privacy Policy is available at
<font color="#0000FF"><<a href="http://www.rosetheatre.com/" eudora="autourl">http://www.rosetheatre.com</a>>
<br>
</font>_______________________________________________<br>
Rose-movies mailing list<br>
Rose-movies@mailman.olympus.net<br>
<a href="http://mailman.olympus.net/mailman/listinfo/rose-movies" eudora="autourl">http://mailman.olympus.net/mailman/listinfo/rose-movies</a><br><br>
</body>
</html>